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Bach
J. S. Bach: Sarabande (B minor orchestral suite, BWV 1067, #3)
BSG
3:15 Est. Play
Time
34 Measures
1,126Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flute,
Vln
1		 Treble 18 0 6 7 100%
Violin Treble 18 0 6 7 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flute,
Vln
1		 Treble 18 0 6 7 100%
Violin Treble 18 0 6 7 100%
Violin
2		 Treble 18 0 5 6 97%
Contrabass Bass 18 0 5 5 94%
Vcl/Continuo Bass 18 0 5 5 94%
Viola 17 0 5 6 94%
Harpsichord Treble 21 18 7 12 44%
Bass 18 0 5 5 92%
 
The Gale for Flute and Violin
Kanowitz
1:59 Est. Play
Time
51 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flute Treble 13 0 2 4 88%
Violin Treble 13 0 3 4 86%
Guitar Treble 17 14 3 6 74%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flute Treble 13 0 2 4 88%
Violin Treble 13 0 3 4 86%
Guitar Treble 17 14 3 6 74%
 
Rezitativ und Arie from BWV 82
Bartók forever
6:44 Est. Play
Time
99 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 19 32 5 6 16%
Treble 25 43 9 6 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 19 32 5 6 16%
Treble 25 43 9 6 100%
Bass 24 0 9 6 98%
Sopran Treble 18 0 7 8 96%
 
(WIP) Bach - BWV. 1067 - Orchestral Suite No. 2 in B minor - Badinerie (B minor)
Erisceres
0:33 Est. Play
Time
43 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 16 29 4 2 100%
Bass 12 0 1 3 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 16 29 4 2 100%
Bass 12 0 1 3 100%
Contrabass Bass 12 0 1 3 100%
Flute Treble 14 0 3 4 100%
Viola 10 0 1 2 100%
Violin
I		 Treble 13 0 3 5 100%
Violin
II		 Treble 10 0 3 2 100%
Violoncello Bass 12 0 1 3 100%
 
J.S.Bach: Chorale: Zion hört die Wächter singen (BWV 140 #4), Continuo realization exercise by BSG
BSG
4:22 Est. Play
Time
75 Measures
1,889Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violins Treble 21 0 7 6 100%
Realization Treble 17 66 3 4 99%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violins Treble 21 0 7 6 100%
Realization Treble 17 66 3 4 99%
Continuo Bass 20 0 5 3 99%
Violoncello Bass 20 0 5 3 99%
Tenors Treble 10 0 0 6 45%
 
BWV248N4 - "Bereite dich, Zion"
edward.maurath
6:40 Est. Play
Time
140 Measures
1,082Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 19 51 7 5 95%
Bass 22 4 7 5 99%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 19 51 7 5 95%
Bass 22 4 7 5 99%
Bassoon Continuo Bass 22 0 7 5 99%
Oboe d'amore Treble 27 0 10 5 91%
Violini Treble 27 0 10 5 91%
Violoncello Continuo Bass 21 0 6 5 89%
Alto 17 0 6 6 65%
 
J. S. Bach: Dona nobis pacem (BWV 232 final mvt)
BSG
3:12 Est. Play
Time
46 Measures
2,802Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Strings
1		 Treble 12 0 2 4 98%
Treble 14 0 3 5 93%
View all 17 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Strings
1		 Treble 12 0 2 4 98%
Treble 14 0 3 5 93%
Bass 22 1 6 5 100%
15 0 3 5 100%
CtoR Treble 17 45 4 7 100%
Bass 18 0 5 6 100%
Tenor Treble 15 0 3 5 100%
Alto Treble 12 0 2 4 98%
Continuo Bass 20 1 6 5 98%
Contrabass Bass 20 1 6 5 98%
Bass Bass 19 0 6 5 93%
Flute Treble 14 0 3 5 93%
Soprano Treble 14 0 3 5 93%
Oboe Treble 18 34 5 6 82%
Trombe
1
amp;amp;
2		 Treble 11 0 1 5 51%
Timpani Bass 2 0 0 5 22%
Tromba
3		 Treble 11 0 1 5 22%
 
BWV258N7 "Er ist auf Erden kommen arm"
edward.maurath
3:27 Est. Play
Time
66 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Oboe Treble 20 0 7 6 100%
Harpsichord Treble 20 48 6 6 98%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Oboe Treble 20 0 7 6 100%
Harpsichord Treble 20 48 6 6 98%
Bass 21 3 5 5 97%
Fagotto Continuo Bass 21 0 5 5 97%
Oboe d'amore Treble 18 0 5 6 94%
Soprano 10 0 1 5 47%
Bass Bass 15 0 6 4 17%
 
Rondeau en B minor
musicmakerss
1:29 Est. Play
Time
64 Measures
1,343Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 23 39 7 4 100%
Bass 21 13 6 6 97%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 23 39 7 4 100%
Bass 21 13 6 6 97%
Bassoon Bass 16 0 5 5 100%
Viola 19 1 7 4 100%
Violin Treble 20 2 8 3 100%
Violoncello Bass 21 1 6 6 100%
 
Clarinet Concerto in D Major, Op.55, OW.22
IGitzDiz
10:39 Est. Play
Time
136 Measures
1,519Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violino
I		 Treble 28 4 13 10 100%
Violino
II		 Treble 24 12 9 8 98%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violino
I		 Treble 28 4 13 10 100%
Violino
II		 Treble 24 12 9 8 98%
Viola 22 2 8 7 97%
Violoncello
e. Basso. 		Bass 25 1 12 7 95%
Clarinetto principale
in
A/La		 Treble 31 0 13 10 75%
2
Corni
in
A/La		 Treble 11 5 2 7 26%
2
Oboi		 Treble 10 2 3 7 24%
 
J.S. Bach: Kyrie II from B Minor Mass (BWV 232, #3)
BSG
4:32 Est. Play
Time
59 Measures
1,535Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Vcl/Cb/Cto Treble 26 57 9 6 99%
Bass 23 0 8 6 100%
View all 14 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Vcl/Cb/Cto Treble 26 57 9 6 99%
Bass 23 0 8 6 100%
Contrabass Bass 23 0 8 6 100%
Vcl/Cb. Bass 23 0 8 6 100%
Tenor Treble 17 0 7 6 97%
Viola 17 0 7 6 97%
Alto Treble 17 0 7 5 86%
Violin
2		 Treble 17 0 7 5 86%
Ob.
d'Am		 Treble 23 0 9 5 85%
Flute Treble 16 0 6 4 76%
Soprano Treble 16 0 6 4 76%
Violin
1		 Treble 16 0 6 4 76%
Bass Bass 20 0 7 5 75%
Fagotto Bass 20 0 7 5 75%
 
Orchestral Suite No. 2 in B Minor, BWV 1067 VII. Badinerie
Nevin Williams
1:22 Est. Play
Time
43 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 20 62 7 3 100%
Bass 22 0 5 3 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 20 62 7 3 100%
Bass 22 0 5 3 100%
Violin Treble 15 0 5 4 100%
Treble 18 0 4 5 100%
Contrabass Bass 22 0 5 3 100%
Viola 16 0 3 3 100%
Violoncello Bass 22 0 5 3 100%
Flute Treble 18 0 5 5 99%
 
Oeuvre pour Chœur et Orchestre - Introduction pub1
Zorglub Degaulle
1:21 Est. Play
Time
26 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto 19 0 4 3 100%
Flûte Treble 16 10 4 5 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto 19 0 4 3 100%
Flûte Treble 16 10 4 5 100%
Hautbois Treble 15 9 4 5 100%
Violon
1		 Treble 26 16 8 5 100%
Violon
2		 Treble 21 0 7 2 100%
Basson Bass 17 0 5 5 96%
Violoncelle Bass 24 15 8 5 96%
 
J.S. Bach: Duetto: Gott, du hast es wohl gefüget (BWV 63, #3)
BSG
3:10 Est. Play
Time
44 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Bass 23 0 7 3 100%
Realization Treble 20 57 8 8 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Bass 23 0 7 3 100%
Realization Treble 20 57 8 8 100%
Oboe Treble 20 0 8 9 74%
Bass Bass 15 0 3 5 67%
Soprano Treble 17 0 6 7 64%
 
J.S. Bach: Chorale: Es woll uns Gott genädig sein (BWV 76, #7)
BSG
2:43 Est. Play
Time
27 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 17 0 4 6 100%
Treble 16 0 6 4 100%
View all 11 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 17 0 4 6 100%
Treble 16 0 6 4 100%
Realization Treble 16 46 5 7 100%
Tromba Treble 11 0 1 5 100%
Viola 18 0 6 6 100%
Continuo Bass 25 0 8 4 92%
Violoncello Bass 25 0 8 4 92%
Alto Treble 14 0 4 5 81%
Bass Bass 16 0 4 4 81%
Soprano Treble 11 0 1 4 81%
Tenor Treble 15 0 5 6 81%